BB King - 89

Obituaries for folks in the entertainment world that have come to the end of the road.

BB King - 89

Postby Neumann Sennheiser » Thu May 14, 2015 11:23 pm

Maybe not the father of the blues but, the father of MY blues.

I got nothin' to say.

Let em' play.

https://www.youtube.com/watch?v=6jCNXASjzMY

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"You don't know man! I was in radio man! I've seen things you wouldn't believe!"
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Re: BB King - 89

Postby PicturesForYourEars » Fri May 15, 2015 12:36 am

While driving for Entertainment Services for Expo 86, I had the distinct pleasure of spending a day with Mr. King; I even got to carry Luciele!
...LEFT PLACES I SHOULDA STAYED,
STAYED PLACES I SHOULDA LEFT...
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Re: BB King - 89

Postby jon » Fri May 15, 2015 9:03 am

Blues legend B.B. King dies at age 89
Fri May 15, 2015 11:08am EDT
By Bill Trott

(Reuters) - Blues legend B.B. King, who took his music from rural juke joints to the mainstream and inspired a generation of guitarists from Eric Clapton to Stevie Ray Vaughan, has died in Las Vegas. He was 89.

King, inducted into the Rock and Roll Hall of Fame in 1986, had said in May he was in hospice care at his home after being hospitalized in April with dehydration related to diabetes.

"The blues has lost its king, and America has lost a legend," President Barack Obama said in a statement, recalling how he sang "Sweet Home Chicago" with King at a White House blues concert three years ago. "B.B. may be gone, but that thrill will be with us forever. And there’s going to be one killer blues session in heaven tonight."

King's death was confirmed late on Thursday on a Facebook page linked to the website of his daughter Claudette.

Born on a Mississippi plantation to sharecropper parents, he outlived his post-World War Two blues peers - Muddy Waters, Howlin' Wolf, Jimmy Reed, Lightnin' Hopkins and John Lee Hooker - to see the rough music born in the cotton fields of the segregated South reach a new audience.

"Being a blues singer is like being black twice," King wrote in his autobiography, "Blues All Around Me," of the lack of respect the music got compared with rock and jazz.

"While the civil rights movement was fighting for the respect of black people, I felt I was fighting for the respect of the blues."

King will forever be associated with his trademark black Gibson guitars, all of which he christened "Lucille" in recollection of a woman who two men fought over in 1949 in an Arkansas dance hall where he was playing.

The men knocked over a kerosene lamp, setting fire to the building. King risked his life to retrieve his $30 guitar.

In 2003, Rolling Stone magazine's list of the 100 greatest guitarists of all time ranked King at No. 3, behind only Jimi Hendrix and Duane Allman.

Luminaries from the music world paid tribute to King.

Chicago blues veteran Buddy Guy described King as "the greatest guy I ever met."

"The tone he got out of that guitar, the way he shook his left wrist, the way he squeezed the strings... it was all new to the whole guitar playin' world," Guy wrote in a posting on Instagram. "I promise I will keep these damn blues alive."

Rocker Bryan Adams said on Twitter King was "one of the best blues guitarists ever, maybe the best. He could do more on one note than anyone."

Rapper Snoop Dogg, rocker Lenny Kravitz, Kiss frontman Gene Simmons, former Beatle Ringo Starr and U.S. country singer Brad Paisley were among others who posted tributes.

STREET CORNERS

Born Riley B. King on Sept. 16, 1925 in Itta Bena, Mississippi, he began learning guitar as a boy and sang in church choirs.

After World War Two Army service, King sang on street corners to pick up money. In 1947 he hitchhiked to Memphis, Tennessee, where he learned from and played with his cousin, revered blues guitarist Bukka White.

King went from touring black bars and dance halls in the 1940s and '50s to headlining an all-blues show at New York's Carnegie Hall in 1970 and recording with the likes of Clapton and U2 in the '90s.

He had a deep, resonant singing voice and, despite having what he called "stupid fingers," an immediately recognizable guitar sound.

His unique style of trilling the strings with a fluttering left-hand vibrato, which he called "the butterfly," delivered stinging single-note licks that brimmed with emotion and helped shape early rock.

In Memphis, King played in clubs and became a disc jockey at radio station WDIA, where he was known as the Beale Street Blues Boy. That was shortened to Blues Boy and then B.B., and those closest to him just called him B.

King became a star of the rhythm and blues charts and at his peak was on stage 300 nights a year and playing to audiences all over the world including the former Soviet Union and China. He still toured regularly into his 80s.

In the 1960s, King enjoyed a resurgence as young British and American rockers discovered the blues as the roots of rock 'n' roll, building a new, mostly white following.

He won 15 Grammys, more than any other bluesman, starting in 1970 for the crossover pop hit "The Thrill Is Gone," according to the Recording Academy. In 1987, he received a lifetime award.

King was awarded the National Medal for the Arts in 1990.

His two marriages ended in divorce with no children but he acknowledged fathering 15 with different women.

(Reporting by Curtis Skinner in San Francisco; Writing by Bill Trott; Editing by John Stonestreet)
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Re: BB King - 89

Postby jon » Sat May 16, 2015 12:15 pm

Nice touch on this week's Satellite Survey on SiriusXM's 60s on 6: featuring (this week in) the year 1968 when, beginning next Tuesday, B.B. King's "Paying the Cost to be the Boss" entered the BillBoard Hot 100's Top 40.

Interesting piece in Wikipedia:
King's favorite singer was Frank Sinatra. In his autobiography he spoke about how he was a "Sinatra nut" and how he went to bed every night listening to Sinatra's classic album In the Wee Small Hours. Sinatra had gotten King into the main clubs in Las Vegas during the 1960s. He credited Sinatra for opening doors to black entertainers who were not given the chance to play in "white-dominated" venues.
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